
Sandwell District End Beginnings Vinyl LP Transparent Blue Colour 2025
Tracklist:
1. Dreaming
2. Self-Initiate
3. Will You Be Safe?
4. Restless
5. Least Travelled
6. Citrinitas Acid
7. Hidden
8. The Silent Servant
āEnd Beginningsā is a majestic coming together of cinematic techno and mind-bending dancefloor dynamism; an album that marries Drexciyaās idea of techno being an act of seditionary innovation to a sense of unbridled fun, an imperative that means an awful lot to OāConnor. āHaving a good time is pretty much why you get into it in the first place,ā he notes wisely. āAnd it is fun. I think we feel a lot more fortunate now, especially with what happened with Juan. Weāre grateful.ā
āEnd Beginningsā then is also a moving requiem to a fallen soldier ā Juan Mendez. At the beginning of 2024, Mendez tragically died just as things were moving in the right direction for the collective. Mendezās stunning artwork and visuals were always a central pillar of Sandwell District; indeed, he was working on a piece of art entitled āEnd Beginningsā that was mooted to be the album cover. That work was never finished, but OāConnor and Sumner took the title to honour their friendās contribution. It remains a fitting tribute to the stop-start nature of this rebel alliance.
āWe were a real gang,ā OāConnor reminisces. āWe used to come into town, tear it up and go home. We got banned from about three airlines for fighting with each other. We used to turn up at the airport, get hammered and it would go downhill from there.ā No wonder they were described as technoās answer to Crosby, Stills, Nash and Young by online music organ, The Quietus. OāConnor laughs when that interpretation is put to him. āThatās brilliant,ā he says. āItās probably very accurate. As long as I can be Nash.ā
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Tracklist:
1. Dreaming
2. Self-Initiate
3. Will You Be Safe?
4. Restless
5. Least Travelled
6. Citrinitas Acid
7. Hidden
8. The Silent Servant
āEnd Beginningsā is a majestic coming together of cinematic techno and mind-bending dancefloor dynamism; an album that marries Drexciyaās idea of techno being an act of seditionary innovation to a sense of unbridled fun, an imperative that means an awful lot to OāConnor. āHaving a good time is pretty much why you get into it in the first place,ā he notes wisely. āAnd it is fun. I think we feel a lot more fortunate now, especially with what happened with Juan. Weāre grateful.ā
āEnd Beginningsā then is also a moving requiem to a fallen soldier ā Juan Mendez. At the beginning of 2024, Mendez tragically died just as things were moving in the right direction for the collective. Mendezās stunning artwork and visuals were always a central pillar of Sandwell District; indeed, he was working on a piece of art entitled āEnd Beginningsā that was mooted to be the album cover. That work was never finished, but OāConnor and Sumner took the title to honour their friendās contribution. It remains a fitting tribute to the stop-start nature of this rebel alliance.
āWe were a real gang,ā OāConnor reminisces. āWe used to come into town, tear it up and go home. We got banned from about three airlines for fighting with each other. We used to turn up at the airport, get hammered and it would go downhill from there.ā No wonder they were described as technoās answer to Crosby, Stills, Nash and Young by online music organ, The Quietus. OāConnor laughs when that interpretation is put to him. āThatās brilliant,ā he says. āItās probably very accurate. As long as I can be Nash.ā













